摘要
古代的羁旅行役诗,为了抒发思乡怀人的情愫,诗人往往撇开自己,用对写法描摹所思之人正在热切思念自己,从而丰富了诗的容量,增添了诗的层次,扩展了诗的意境,深化了诗的感情,同时造成委婉曲折、含蓄蕴藉的艺术效果。这种手法始于《诗经》,成熟于《古诗十九首》,在唐宋之时蔚为大观,漫漶为一种悠久的传统。
To express the emotion of homesick and yearning for friends, the author always describes how much his friends yearn for the author himself. Then, the content of the poetry is enriched, and the artistic conception and emotion were extend- ed. At the same time, the poetry is mild and roundabout. This artistic technique of expression is applied in "the book of songs" for the first time, and matured in "nineteen ancient poetry", while being popular during Tang Dynasty and Song Dynasty, became a traditional expression method gradually.
出处
《陶瓷研究与职业教育》
2009年第2期50-52,共3页
Ceramic Research and Vocational Education
关键词
古典诗歌
思乡怀人
对写
传统
classical poetry
homesick and yearning for friends
contraction
traditional