再看王维与破墨山水

Again on Wang Wei and the Landscape of Pomo Technique

唐朝成就了一个承前启后、破旧立新、百花齐放的文艺大变革,文学、音乐、舞蹈、绘画、书法等各个方面都取得了不可企及的成就。唐代的绘画技法,是以六朝以来的传统技法为基础,吴道子集先人之大成而成线描的百代宗师,而王维开破墨山水之先河成中国山水写意之鼻祖。《辋川图》表现其所居庄园的优美景色,用破墨的方法为自己绘勒出一个远离尘世、超然物外的生存家园,此种倾向可视为逃遁物质的现实而寻求灌注作家自我意识于作品中的方法,它改变了中国画、特别是中国山水画的发展轨迹。

The Tang Dynasty made the great change of literature and art of serving as a link between past and future, breaking the old and establishing the new, and letting hundreds of flowers blossom, so it made unattainable achievements in literature and art, music, dance, painting, calligraphy and other aspects. The Tang painting techniques were based on the traditional techniques since the Six Dynasties; Wu Daozi became the great master in line drawing inheriting the ancestors＇achievements; and Wang Wei created the landscape of pomo （ technique of traditional Chinese painting using dark ink to seep into thin ink, or vice versa） and became the originator of Chinese landscape freehand painting. ＂Wangchuan Picture＂ expressed the beautiful scenery of his manor home, painted a remote and insu- lar living homestead with the method of pomo. Such a tendency can be seen as the method of escaping from the material reality of the material and seeking to pour the author＇s self - consciousness into the works, changing the development path of traditional Chinese paintings, especially of Chinese landscape painting.