期刊文献+

怀古诗“留白”艺术赏析

On artistic appreciation of "vacancy" in nostalgic poetry
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摘要 我国传统文化积淀与民族文化心理,形成了中华民族独特的审美标准和理念,即重表现和含蓄,以有限表现无限。中国传统的绘画"留白"技法从形式上预留空白发展到思想感情表达上预留空白,诗画同源的传统,使得水墨之间的空白在文字间显示出趣味横生、璀璨多彩的独特艺术魅力。结合对唐代诗歌作品的解析,探讨"留白"技法在文学作品鉴赏中传达出的独特的审美意蕴及艺术价值。 It is the accumulation of traditional Chinese culture and ethic culture psychology that have produced the unique aesthetic standard and notion of Chinese nationality, which attach importance to embodiment and implicitness as well as embodying infinity in finity. The "vacancy" skill and technique of traditional Chinese painting develop gradually from formal blank into mind and emotional blank. The common origin, from which poetry and painting descend, adds to the delightful and colorful charm to the blank among Chinese characters. This paper, based on the analysis of Tang poetry, explores the unique aesthetic connotation and artistic value that "vacancy" artistry embodies in the appreciation of literary works.
作者 韩宝江
出处 《安徽理工大学学报(社会科学版)》 2009年第2期62-65,共4页 Journal of Anhui University of Science and Technology:Social Science
关键词 怀古诗 留白 赏析 意境 Tang poetry vacancy appreciation artistic conception
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