声乐艺术情感论的本体构成及其关系探析

COMPOSITION OF VOCAL ART EMOTIONAL THEORY AND THE RELATIONSHIP

声乐艺术是一门情感的艺术,从其文本构成本体来说,是音乐与文学的联姻,这一本体特征结合声乐艺术的情感美学本质就是曲情与诗情的情感融合,也就是我们常说的一度创作情感;从其艺术美的本质来说,声乐艺术审美的生成是人声所负载的曲情、诗情和以此为情感依据的声情演绎,也可以说是二度创作情感。笔者从声乐艺术情感论的理论视角,探析声乐艺术的本体构成,即从诗情、曲情、声情三方面及三者的关系上论证了声乐艺术的情感美学特征与意义。

Vocal art is emotion art. As far as its text composition is concerned, it is the combination between music and literature, and such a feature together with its emotional aesthetic nature is actually the emotional fusion of music and poetic emotions. This is the first creation of emotion as we call it. When it comes to its artistic aesthetic nature, the generation of vocal art aesthetics is the music and poetic emotions carried by human voice as well as the voice and emotion interpretation based on such emotions. We call it the second creation of emotion. From the perspective of vocal art emotional theory, the author researches the composition of vocal art, that is, the emotional aesthetic feature and meaning of vocal art from poetic, music and vocal emotion as well as the relationship among the three.