摘要
古希腊戏剧家欧里庇得斯和法国古典主义戏剧家拉辛都创作了以安德洛玛克这一人物为主题的同名戏剧,却在戏剧主要人物间的关系上做了各自独到的改编与丰富。本文追溯安德洛玛克的历史演变,探寻与其他人物的关系在戏剧中的发展变迁,力求从一个角度窥探两位杰出戏剧家在处理历史主题时的独到之处,以及两部《安德洛玛克》各自的魅力。
Euripides and Jean Racine made Andromache heroine respectively in one of their plays, yet each made his own interpretation on the character as well as her relations with other characters. This essay traces the evolution of Andromacbe as a theatrical character in the history,probes the developments and changes of the quadrilateral relationships, and tries to reveal the distinctive charm of each play.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2009年第2期96-106,共11页
Drama:The Journal of the Central Academy of Drama
关键词
安德洛玛克
历史演变
四角关系
欧里庇得斯
拉辛
Andromache, historical evolution, quadrilateral relationships, Euripides, Racine
