摘要
倪瓒善画山水、枯木、竹石、墨竹,其笔法挺拔,疏朗有致,师法自然,崇尚疏简画法,以天真幽淡为趣,形成了萧散超逸、独树一帜的艺术风格。倪瓒的绘画风格是承接在元以前的文人画传统之上,是文人画发展到元代由元代特殊的社会形态等客观因素和倪瓒独特的性格特征、美学思想等主观因素共同造就的。
Ni Zan was good at painting landscapes, waters, mountains, trees, bamboos and stones with the features of briefness and worshipping of the nature. He advocated simple painting with freedom and thus formed his own unique style. Ni Zan's painting style is based on the taking in the previous tradition of literati painting and they were the mixture of the development of literati painting from the Yuan Dynasty to the Yuan Dynasty objective factors and the unique character and aesthetic ideas of Ni Zan.
出处
《内蒙古大学艺术学院学报》
2009年第2期36-41,共6页
Journal of Art College of Inner Mongolia University
关键词
元代画家
倪瓒
艺术风格
绘画技法
超逸
painter in Yuan Dynasty
Ni Zan
artistic style
painting techniques
free and natural