摘要
素描作为一种独立的绘画语言,对于画家而言,它总是要比其他绘画形式来的更直接。以画家的素描自画像为个案,从素描不同的表现形式为切入点,进而张显素描作为一种独立的绘画语言表达画家情感世界的话语优势。
As an independent painting language, for the painter, charcoal drawing is always more direct than the other painting forms. The paper takes the charcoal drawing of the painter's self portrait as the object analysis, cuts in the different expression forms of charcoal drawing to illustrate the discourse advantage in the expression of the painter's world of feeling as an independent painting language.
出处
《内蒙古大学艺术学院学报》
2009年第2期52-55,共4页
Journal of Art College of Inner Mongolia University
关键词
素描
学院派素描
自由素描
自画像
艺术家
charcoal drawing
academism charcoal drawing
free charcoal drawing
self portrait
artist