摘要
文章从社会悲剧与"人"的现代反抗精神、性格悲剧与人格理想的可能限度和命运悲剧与"自由意志"对生命的有效实现三个方面重新诠释了《白鹿原》的悲剧美学及其内涵,挖掘了这种悲剧意识对于茅盾文学奖、对于当代文学的意义所在。
This article is a new interpretation of Bai Lu Yuan's connotation and tragedy aesthetics in terms of the following relationships: social tragedy and modern man's rebellion, tragedy of character and the limitations of personality ideal, the role of tragic fate and " freedom of will" in the actualization of life. In the meantime, it identifies the relevance of this tragic sense in the novel to Mao Dun Literature Prize and to contemporary Chinese literature at large.
出处
《衡阳师范学院学报》
2009年第4期61-65,共5页
Journal of Hengyang Normal University
基金
2008年度中国作家协会重点作品扶持篇目
中国博士后科学基金面上资助项目(20080440984)
衡阳师范学院社会科学基金启动项目"茅盾文学奖研究"(2007B04)
关键词
《白鹿原》
社会悲剧
性格悲剧
命运悲剧
Bai Lu Yuan
social tragedy
tragedy of character
tragedy of fate