摘要
真实而客观地塑造形体是传统雕塑中造型的根本语言,传统雕塑把塑造的能力达到了一种超乎想象力的程度,其中对造型起到影响作用的是人的意识形态。传统的雕塑是塑造一个形体,而当代观念艺术是用实体来塑造一种思想。从艺术史发展过程来看,每次革命性的变化,都是人的意识发生了改变。人改变了传统的思维方式,进入一种更具有现实性和发展性的思维领域,这些变化同时影响了人们对创造的认识。由此,雕塑艺术从传统的客观空间之中走出来,进入到人的意识空间。
To carve a shape according to its true and objective origin is the traditional sculpture language, which has developed the carving skill to the utmost level,and it is mankind ideology that affects the sculpt most. The traditional way of sculpture is to create a shaDe,while modern concept art is to create an idea loaded in a shape.Through the historical procedure of art,every critical turning point was resulted from mankind ideological change.The ideological change from a traditional way to a more realistic and elastic way has a deep consequence on mankind recognition of creation.Therefore,the sculpture art starts to walk out of the a.qe of traditional objective dimension and into an era of ideological dimension.
出处
《雕塑》
2009年第3期66-67,共2页
Sculpture
关键词
客观空间
意识空间
形体塑造
自我意识
Objective dimension, ideological dimension, carvinq skill, self-recognition