摘要
厉鹗是清代中期浙派之灵魂人物,其诗"清微孤峭",是公认的与盛世离心的"幽人之诗"。然而细读其作品会发现,厉鹗诗风并非一成不变,而是在创作生涯的前后期呈现出一个从"清冷"到"清雅"的美学风范变迁。究其原因,正是康、雍、乾三朝外在时世环境以及诗人自身境遇的变化所造成的诗人创作心境的改变,由此其诗歌在前后期呈现出不同的美学风范,由前期的幽冷孤峭转向后期的清雅闲逸。
Li E is a representative writer of Zhejiang School, the Style of his Poetic Works is secluded,and it is recognized that he is a centrifugal poet to the reality. But if we have a further research, we will find that compared to the early ones, the style of poems that Li E later writed has changed a lot. Based on studing, it is because that the changes of the external environment in the emperors of Kangxi,Yongzheng and Qianlong period led to the changes in the mentality of Li E.
出处
《德州学院学报》
2009年第3期31-35,共5页
Journal of Dezhou University
基金
宿州学院硕士科研启动基金资助项目(2008YSS10)
关键词
厉鹗
诗歌
创作心境
Li E
poem
the mentality of creation