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情感的节奏:托马斯·格雷的诗歌韵律探索 被引量:3

The Rhythm of Emotion Based on Motif: Thomas Gray's Exploring and Practicing of Posody in His Poems
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摘要 感伤主义诗人托马斯.格雷的诗作除了《墓园挽歌》被人们所珍视外,其它诗作往往被人忽视。其实他的其它诗作也如《墓园挽歌》一样,在用词、意象、韵律等方面十分精采。本文分析他在韵律多样化、韵律与诗歌主题相锲合方面做出的许多探索,试图更好地理解诗人在表现多样的情感上对韵律的把握,给予其艺术成就一个更高的评价。 The poems of representative Sentimentalist, Thomas Gray, were disregarded by most readers, except his masterpiece, Elegy. Actually,most of his poems are as elegant as his Elegy,especially when entertaining from phraseology,imagery and prosody etc. In this paper, the author analyses Gray' s poems upon their diversification of rhythms and properness of rhythm using according to motif. In such doing, Gray could be appreciated better for his mastering of meters to express emotions, and appraised higher for his artistic achievement.
作者 张清道
出处 《齐齐哈尔大学学报(哲学社会科学版)》 2009年第4期85-87,共3页 Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词 格雷 韵律 主题 情感 Thomas Gray posody motif emotions
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  • 1"Father of English poetry"翻译成"英语诗歌之父",似乎比"英国诗歌之父"更为准确.
  • 2其中HubertM.Cummings,TheIndebtedness of Chaucer's Works to the Italian Works of Boccaccio(New York:Phaeton Press,1916)是这方面的代表性著作.
  • 3"9:6"指第九天的第六个故事,下面以此类推.
  • 4《学士的引子》说此故事来自彼特拉克,见杰弗里·乔叟:《坎特伯雷故事》,黄杲忻译,译林出版社1998年版,576-577页.实际上彼特拉克只是把薄迦丘的这个故事从意大利文译成拉丁文.除这5个故事外,《骑士的故事》是根据薄迦丘的另一部著作《苔塞伊达》改写而成.
  • 5薄迦丘:《十日谈》,钱鸿嘉等译,译林出版社1994年版,13页.本文下面对该书的引用均出此版本,页码随文注出,不再加注.
  • 6[9]C.F.E. Spurgeon, ed., Five Hundred Years of Chaucer Criticism and Allusion, 1357 - 1990, Ⅱ (New York: Russell, 1960),p.43,p.278.
  • 7Donald R. Howard, Chaucer, His Life, His Works,His World(New York: E. P. Dutton, 1987), p.412.
  • 8Michel Foucault, The History of Sexuality (New York:Pantheon,1978) ,pp.58 - 60.
  • 9Joseph Bedier,Les Fabliaux,6thed.(Paris:Champion,1964).
  • 10参见H.A. Kelly,"The Non-Tragedy of Arthur,"in Gregory Kratzmann and James Simpson, eds. Medieval English Religious and Ethical Literature(Cambridge:D.S.Brewer,1968).就连但丁也在De vulgari eloqueatia中把悲剧看作是关于高雅主题的高雅诗体,因此他把自己的抒情诗也算在其中.

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