摘要
作为一种"观念游戏","现代性文化"观念内蕴着"理性"向"合理性"转化的症候。作为一种"大众文化","现代性文化"开启了大众或公众基于"合理性问难"的文化批判向度。立足于"现代性文化"批判的视阈,"于丹现象"毋宁说是对"现代性文化"批判的别样呈现。它的"粉墨登场"是中国社会现代化发展到这个特殊阶段的必然要求,是文化中国站在在民族文化更新的角度对现代中国民众特别是80后90后一代的"普遍理性启蒙"。中国"现代性文化"的当代呈现,一方面需要立足于中国传统文化的现代学派或现代群体的置换;另一方面,现代传媒与高科技是当代文化再创造活动中不可或缺的应用开发资源。加速人自身的现代化成为中国现代化的关键,而加快中国现代性文化的自觉呈现却是关键的关键。
As a "concept game" , "modern culture" contains the symptom turning from "rational" to "reasonable". " Modern culture" is a "popular culture" which starts the cultural criticism by the au- dience or the public through "reasonable questioning". From the visual threshold of "modern cultural" criticism, "YU Dan Phenomena" can be considered as another type of presentation of "modern cultur- al" criticism. The occurrence of the phenomena is one of the inevitable results of Chinag social modern- ization in present special period, and it also shows that the cultural China makes a "popular rational en- lightenment" to the young Chinese born after 1980s and 1990s from the standpoint of renewing the tradi- tional Chinese culture. Today~ presentation of China~ "modern culture" is performed from two aspects: one is the replacement between the modern school of the traditional Chinese culture and the modern colony; the other is modern mass media and high technology, which are the necessary resources applied and developed in re - creating modern Chinese culture. To accelerate the modernization of people is the key to the modernization of China, and to accelerate the spontaneous presentation of modern Chinese culture is the core of the key.
出处
《西安欧亚学院学报》
2009年第3期18-20,24,共4页
Journal of xi‘an Eurasia University
关键词
现代性文化
“于丹现象”自觉
modern culture
YU Dan Phenomena
spontaneous presentation