明清小说宝物崇拜的宗教学审视

the Religious Discussing of Treasure worship in Ming-qing Novels

明代帝王的仙道追求,对神仙崇拜的蔓延推波助澜。道教法器崇拜,是明清小说宝物描写原动力之一。许多宝物及描写套路,来自外域传来的佛经文献和佛教文化。密宗对小说中宝物、斗宝叙事作用巨大。佛教观念与宝物信仰结合,触发了许多具体情节、场面和细节的想像生发。民间秘密宗教,也构成了宝物描写依托的重要故事题材。清代小说多女将运用法宝的描写,因秘密宗教中女性地位突显。女将以其性别特点,更需要在文学表现上突出其宝贝兵器。小说中女性的经历、命运结局,是现实中秘密宗教女大师们的文学写真。

The mystical pursuit of the imperial in Ming dynasty, have a driving force to the spread of the supernatural being worship. It is one motive power of the drawing of the treasures in Ming-qing novels that the instruments were worshiped in Taoism. Description of many treasures and drawing modes comes from the Buddhist literature and Buddhist culture in the foreign. Tantrism have an important role in the narrative of treasures and competated treasuresin the novels. The combination between Buddhist concepts and the treasures worship created a number of specific plot, to the scene and details. Civil secret religion also constitutes an important treasure story described themes. More user of the magic weapon are women in the Qing novels describing, because women have higher status in the secret religion. Owing to their gender characteristics of the female general, it is very necessity to Prominent the performance of their precious weapons in the literature. The experience and fate of women in the novel, is the literature description of the reality of religious women in the secret religion.