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再谈文人画的艺术风格

Further of discussing literati painting
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摘要 中国绘画源渊流长,博大精深。在绘画历史演变的过程中,有许多文人乐意接受中国古代哲学思想,将绘画创作与哲学精神相结合,出现了由文人士大夫介入的简淡闲逸的绘画风格(也就是今天我们所说的文人画)。无论卷轶之浩繁,还是阐释之精微都营造着中国传统的文人气象。他们以孔孟儒学、老庄道学和禅宗佛学为根基,以丰厚的文学理论为素养,以广泛的艺术实践为依托,寄情与画、托物言志。形成了"诗中有画,画中有诗"的绘画风格,开创了"温和文雅"、"消散简远"的绘画局面。 The Chinese drawing source deep pool class is long, broad and profound. In the drawing history evolves in the process, many writers were glad to accept, to accept China ancient times the philosophic thinking, (painting which by the writer literary intelligentsia was the drawing creation and the philosophy spirit unifies, appears involved Jan Danxianwho the leisurely drawing style is also we said today). Regardless of the volume yi vast, the explanation subtle is building the Chinese tradition writer meteorology. They take the Confucius and Mencius Confucianism, the Lao-Zhuang Neo-Confucianism and the zen Buddhist studies as the foundations; Take the rich literature theory as the nutrition; Take the widespread artistic practice as the backing, expresses feelings with the picture, the request word will. Formed "had the picture by the poem, in the picture had the poem" the drawing style, founded "temperately elegant", "dissipated Jan was far" the drawing aspect.
出处 《甘肃高师学报》 2009年第3期120-122,共3页 Journal of Gansu Normal Colleges
关键词 中国哲学思想 文人画 艺术 风格 China philosophic thinking painting artistic style
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