南北朝乐府歌辞的发生与流布

Discussion on the Occurrence,Publication and Distribution of the Yuefu Folksongs in the South and North Dynasties

南北朝乐府歌辞在中国古代民歌史上具有独特的魅力。论文在参阅大量文献的基础上,运用对比的方法,对南北朝乐府歌辞的发生发展过程进行梳理,意在探讨其各自的源流及在当时的活跃状况。北朝乐府数量较少且音乐承袭前朝,乐器多为中原特色,歌辞基本为鲜卑等少数民族的创作;南朝乐府数量繁多,皆由民间徒歌披之管弦进而发展成熟,吴歌、西曲从其发生地吴越和荆楚扩展至朝廷上下。南北朝乐府因其独特的地域特色而影响深远。

Yuefu folksongs in the South and North Dynasties are of special charm in the history ot ancient Chinese folksongs. On the basis of reading a great amount of literature, applying the method of comparison, the occurrence and development process of such folksongs is integrated, which aims at discussing their own origin and situation of activeness at that time. The number of the folksongs of North Dynasty is relatively small and inherits the former dynasty, in which the musical instruments are more of the characters of the central plains, and the folksongs are normally created by Xianbei and other ethnic groups; the quantity of Yuefu of South Dy- nasty is myriad, which developed to be mature from orchestra, and the Wu folksongs and western music ex- tended from the places Wu, Yue and Jing, Chu to the whole country, even the government. Because of its special characteristics, Yuefu folksongs in the South and North Dynasties have a profound effect.