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略论宋代书法美学精神影响下的米芾及其书法艺术观

On Mi Fu and His Calligraphy Art View under the Influence of the Aesthetic Spirit of the Calligraphy in the Song Dynasty
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摘要 书法作为一门独特的艺术,在经历了唐代楷书的高峰期后,到了宋代在行书上有了更大的创新,书风也由唐代的"尚法"转为"尚意"。尤其是"宋四家"在这个转变中起了举足轻重的作用,米芾身为四家之一,集古出新,高举张扬个性的大旗,他的书法艺术观个性鲜明,并对后世产生了深远的影响。 Calligraphy as an art had a greater innovation in nmning handwriting after the peak period of the Tang Dynasty ' regular handwriting, Calligraphy style was also transformed from Rule Advocating of the Tang Dynasty into Nature Adoration of the Song Dynasty.In particular, four calligraphers of the Song Dynasty played an important role in this transformation. Mi Fu, as one of the four calligraphers, created a new form of calligraphy and hold high the banner of individual character.His calligraphy art view shows distinct personality and produced the further influence for future generations.
出处 《西昌学院学报(社会科学版)》 2009年第2期153-156,共4页 Journal of Xichang University:Social Science Edition
关键词 书法美学 尚意 书法艺术观 Mania Calligraphy Aesthetics Nature Adoration Calligraphy Art View
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