摘要
童书业是20世纪初期中国史学界考据学派的健将,在中国绘画史、中国瓷器史研究方面都留下了诸多成果。本文通过对其中的中国绘画史研究的探讨,认为:童书业的中国绘画史研究在解放前即由于其研究方法的独特和由此得出的一些独具匠心、振聋发聩的结论,至今仍具有价值;解放后,受到马克思主义的影响,其研究有了一些新的特点。但无论解放前后,其在绘画史学研究中重视考据的思路并未改变,这是与其历史研究一脉相承的。深入了解童书业在中国绘画史研究方面的卓越贡献,对于20世纪中国绘画史学史的研究有重要意义。
Tong Shuye was a big figure in the textual research school of the Chinese history world in the 20th century, and his has made lots of achievements in the research of Chinese painting history as well as Chinese ceramic history. Through discussing his research on the Chinese painting history, the author thinks, Tong’s research on this field has his special study methods and has made some original and brilliant results, and still has its value even today, and his research has had some new characters because of the influences of Marxism after the Liberation. But no matter before or after the Liberation, his thinking way of stressing on textual research in the research did not change, which was connected to all his history research. To understand Tong’s excellent contribution on Chinese painting history study in a profound manner is significant for the research on the history of the Chinese painting historiography in the 20th century.
出处
《南京艺术学院学报(美术与设计)》
北大核心
2009年第4期46-50,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
童书业
考据学
绘画史
Tong Shuye,Textual Research,painting history