摘要
《爹爹》是美国诗人西尔维亚.普拉斯知名的后期代表诗作之一。其备受争议的私人化、禁忌主题而在读者和评论界中产生巨大的反响和激烈的争论,但其中隐含的权力控制及对其的颠覆却未能引起足够重视。通过细读该诗作,结合福柯的权力—话语理论,分析该诗作中父权制权力对女性身体和话语的双重控制,解读普拉斯对此权力控制的颠覆,并总结这种颠覆的意义和影响。
Daddy is one of the American poet Sylvia Plath＇ s late presentatives. Its controversial, personal and taboo subjects arouse immense repercussions and heated debates among readers and critics alike, but no due attention is paid to the hidden control of power and subversion against it in this poem. Through a close reading of the poem, this paper, based on the Foucauldian theory on power - discourse system, aims to analyze the double control of the patriarchal power over women＇ s body and discourse,interpret Plath＇ s subversion against it,and summarize the significance and influence of the subversion as a conclusion.
出处
《天津外国语学院学报》
2009年第4期61-66,共6页
Journal Of Tianjin Foreign Studies University
