摘要
楚汉之际,由于楚文化的广泛影响,屈、宋骚体作品,往往成了骚体创作主流之一。骚体不仅影响了汉代文人赋作,亦影响及建安以后的骚体赋篇,尤其是曹植《洛神赋》之艺术魅力与《楚辞》关系最为密切。有关《洛神赋》不乏精辟分析之文,然而有关《洛神赋》与《楚辞》之关系,却鲜少详细论述之作。因此本文论述《洛神赋》与《楚辞》融化创新之关系,并说明《洛神赋》对后世文学之开创意义。
Widely influenced by the Chu cuhme, the Sao style works written by Qu Yuan and Song Yu had been the mainstream of Sao style creation in the Chu and Han periods of China. The Sao style not only affected the creations of scholars in Hart Dynasty, but also the Sao style works in the post - Jian - an Era. Particularly, the artistic charm of htoshen Fu written by Cao Zhi had close relationship with Chu Ci There have been lots of analytical articles about Luoshen Fu, while the discussion on the relation of Luoshen Fu and Chu Ci was little. This paper elaborated the relation of Luoshen Fu and Chu Ci, in order to illustrate the innovative significance of Luoshen Fu on the later literary.
