光影记忆:新中国女性电影60年

Memory of Light and Shadow:60 Years of Female Movies of New China

从女权主义电影批评角度审视,新中国的电影在女性伸展与解放的体貌下,是一种强大的政治潜抑力与整合力。在这两种合力的遮蔽下,女权的内蕴、女性的意识和独立的女性品格却缺损到几乎无可辨认的境地。新时期主流电影通过女性表象的复位完成了主流意识形态要求的"拨乱反正"的过程,然而,这一时期电影叙事中的女性、母亲、地母形象仍是沉重的、超负荷的或多元决定的历史存在。新时期的电影语言仍然是男性的传播方式,在男性的、意识形态权威话语的遮蔽和扭曲下,新时期电影中的女性依然是缺损的。

From the angle of feminism, movies of New China are the output of huge forces of potential political constraint and integration under the superficial stretch and liberation of women. Shaded by the two forces, the connation of female right, consciousness and independence become so defective and unrecognizable. Mainstream movies of the new time have completed the replacement of female representation required by the dominant ideology. But women, mothers and Earthly Mother in the movies are just heavy, overloaded or poly-determined existence. The movie language is still of male communicating methods, and under the shade and distortion of male and ideological authority, women in movies of the new time are still defective.