摘要
嵇康《声无哀乐论》不但是音乐的,而且是哲学的,隐含了嵇康对生命哲学中人的主体性的觉醒与价值认同,代表了魏晋士人探索主体性价值的成就。其中所展现的生命意识和主体性认识的新的理论趣味,既奠定了嵇康音乐新解的历史价值,也建构起他所主张的个性自由和逍遥的理想"音乐"人格。
Music Without Emotions, written by Ji Kang, dwells on music and philosophy, This book embodies Ji Kang's recognition of the value of awakening subjectivity in the philosophy of life, making achievements representative of those in the Wei and Jin Dynasty. With a new-born interest in subjectivity, the book thrives on a consciousness of life. The book makes Ji Kang well-established in history for providing a new interpretation of music and for constructing a carefree personality immersed in music and strong in individuality.
出处
《安徽大学学报(哲学社会科学版)》
CSSCI
北大核心
2009年第4期12-15,共4页
Journal of Anhui University(Philosophy and Social Sciences Edition)
关键词
嵇康
声无哀乐
生命意识
主体性
音乐人格
魏晋玄学
Ji Kang
Music Without Emotions
consciousness of life
subjectivity
personality immersed in music
the Neo-Taoism in the Wei and Jin Dynasty