摘要
现象上观察到的道教音乐形态,其风格之形成、变化,很大程度上是因其关系着的发生环境(从一般概念上而言的教派体系、信仰系统,到道场仪式活动中的相关细节)所决定和支配的。有鉴于此,文章在对香港与大陆的道教音乐进行比较时,将注意力放在了两者发生环境的分析研究上,这是文章所重点关心的问题及主要内容。
The forms of Taoist Music, observed by phenomenon, of which the formation of style and the changes, are, to a large extent, determined and dominated by the relevant occurring circumstances ( generally speaking the religious and belief system, and details in the Taoism rituals. In the light of this, the article focuses on the analysis of the occurring circumstance, which is the stress and main content when making a comparison between the Taoism Music in Hong Kong and China's Mainland.
出处
《星海音乐学院学报》
2009年第2期5-17,共13页
Journal of Xinghai Conservatory of Music
关键词
道教音乐
香港道教音乐
大陆道教音乐
道教音乐比较研究
Taoist Music, Hong Kong Taoism Music
Mainland Taoist Music
Taoism Music Comparative Study