摘要
怀藏对词语的激情,穿越厚重的文化空间,渴望用修辞手段来支配词语的命运,从而以"灾异"的风格描摹词语的魅力,这应该是刘恪的《词语诗学》的抱负之所在,同时这也就完成了当代诗学的一次大胆的创化。搜罗集体记忆的碎片,通过编织文本的艺术来呈现人类文化历史的残像余蕴,实现宏大的历史与微渺的体验之间的沟通,《词语诗学》体现了全球时代中国诗学的一种可能走向。
The Poetics of Word is a series of works by Liu Ke, one of the most influential novelists and poets of contemporary China. The aspiration for this series of works should be that, with the passion for words and through the thick cultural space, he is longing for determining words' destiny in order to work on words' myth in the style of the disastrous writing. And then it is possibly the achievement of the creative transformation for contemporary poetics. At the same time it perhaps leaves open to one of possibilities for Chinese poetics in the age of mondialization, that is to say, to recollect the fragments of the collective memory, to represent the afterimages of culture, and to achieve a bridge between the grand history and petty experiences through the labyrinth of intertextuality.
出处
《云梦学刊》
2009年第4期98-102,共5页
Journal of Yunmeng
关键词
刘恪
词语诗学
当代文学理论
Liu Ke
poetics of word
contemporary literary theory of China.