摘要
在《培尔.金特》中,易卜生用隐喻和对比手法,把女性与生命的"绿色"联系在一起,这就是母亲与索尔维格,在她们身上体现了"永恒女性的引领作用"。女性的双重的职责,她们无私的自我牺牲精神与博大深沉的爱,正是人类生命之"绿"的保证,也是培尔.金特绿色回归的保证。特别是索尔维格,易卜生将她升华到一个圣女的高度,使她成为挪威人心中的女神和理想人格的化身。从另一角度说,培尔的妄想症是对挪威"绿"的崇拜和自豪,它洋溢着整个民族特有的青春活力和生命的气息。因而,《培尔.金特》不仅是一般意义上的诗剧,它还是更高层次上的人生哲理剧。
In Paer Gint, Ibsen connects female with green of life by using metaphor and comparison. The double duties of females, their unselfish sacrificing spirit and great and deep love, are just the guarantee of the "green" of human life, and also the guarantee of green return of Paer Gint. Especially, Ibsen creats one of his female characters as a sacred woman, and makes her become a Godess in the heart of Norwagians. From another angle, Paer' s delusion is just his respect and pride for green, and it shows the young vigour and life of the whole nationality. Thus, this drama is not a common drama, but a life philosophical drama.
出处
《信阳师范学院学报(哲学社会科学版)》
2009年第4期12-16,共5页
Journal of Xinyang Normal University(Philosophy and Social Sciences Edition)