摘要
生活在社会底层的小人物是台湾新电影最为重要的关注对象。侧重于小人物情绪感受的抒发而不强调情节的戏剧化,使新电影呈现出散文化特征,对小人物的精神困境予以关爱的人文精神和将小人物与大时代相结合的历史视野,又使台湾新电影具有了诗意情怀和史诗风格,这些便是台湾新电影"底层叙述"最为突出的特征。
Nobodies living at the bottom of society attract the most attention of Taiwan Residents new films. Putting emphasis on the expression of emotions of the nobodies rather than on the dramatic plot, the Taiwan Residents new film is characterized by featuring a style of essay. Showing love to nobodies' spiritual predicament and unifying the nobodies with the great time they live in, the Taiwan Residents new film displays poetic sentiments as well as an epic style. That is the most prominent characteristic of the underlying narrative in the Taiwan Residents new film.
出处
《南京师大学报(社会科学版)》
CSSCI
北大核心
2009年第4期157-160,共4页
Journal of Nanjing Normal University(Social Science Edition)
关键词
台湾新电影
底层叙述
散文化
人文精神
历史视野
Taiwan Residents new film
underlying
essay style
humanistic spirit
historical perspective