摘要
巴赫的《六首无伴奏大提琴组曲》是大提琴音乐文献中的重要作品,由于音乐赞助制度和美学观念的转变以及乐器形制与演奏技术的发展,其问世后历经坎坷。通过对这部作品背后所隐含的历史结构来解读作品的历史性质,可作为音乐历史研究的新思路。
Johann Sebastian Bach' s Six Suites for Solo Cello is one of the most important works for violoncello. However,it has a rough destiny, because of the evolution of sponsorship and conception of music aesthetic and the development of music instrument formation and performance technology. The study of western music history should be based on the understanding of the historical quality by researching the historical structure in the composition.
出处
《长江大学学报(社会科学版)》
2009年第3期100-103,共4页
Journal of Yangtze University(Social Sciences Edition)