摘要
本文拟考察沈从文和福克纳小说中“神”和“上帝”的指涉意义与其作品创作主旨之间的关系。“神”字是沈从文诉诸文学理想的一个关键词汇，“上帝”则是福克纳建构其文学世界的基石。尽管“神”和“上帝”的内涵意义在两位作家的小说中存在着很大的差异性，但在道德和美学的更高层面上，它们均指向了对其终极目标的诉求，即对真善美的呼唤。
This paper examines ＂Deity＂ and ＂God＂ in Shen Congwen and William Faulkner＇s novels and their relationship with their aesthetics. Conspicuous pantheism pervades both writers with ＂Deity＂ as a key word for Shen to express his literary ideal and ＂God＂ as the footstone for William Faulkner to build his literary world. Shen Congwen＇s pantheism has the typical feature of nature worship, whereas Faulkner＇s has the tendency of religious mysticism based on the concept of God. For all the differences, the two concepts have been endowed with similar moral and aesthetic significance such as love and beauty.
出处
《中国比较文学》
CSSCI
北大核心
2009年第3期31-42,共12页
Comparative Literature in China
