摘要
《西厢记》与《伪君子》是中、法文学史上著名的古典戏剧作品。虽然创作年代前后相距三百多年，但是由于艺术意识、艺术思维、艺术品质上的相通，它们在诗学特征方面表现出了隐性的遥契。具体可概括为：王实甫和莫里哀通过文本意指结构的相似传达出共有的自由理念，即婚姻关系上的两情相悦与人际交往上的平等共处。它们是人类生命本体意义的呈现．也是人类生存的理由和依据.
The Romance of West Chamber and Hypocrite are two famous ancient dramas in Chinese and French literary history. In terms of artistic awareness, thinking mode and artistic achievement, they bear an implicit but strong aesthetic resemblance though written three-hundred years apart. Specifically, Wang Shifu and Moliere have expressed such similar liberal ideas as love in marriage and equality in communication with similar textual structure of signification, which are both the reflection of the meaning of life itself, and the reasons for and bases of human existence.
出处
《中国比较文学》
CSSCI
北大核心
2009年第3期72-79,共8页
Comparative Literature in China
关键词
《西厢记》
《伪君子》
意指结构
自由理念
The Romance of West Chamber
Hypocrite
structure of signification
liberal ideas
