中国美学史研究的观念更新及路径创新

The Diea Renew and Path Innovate of Chinese Aesthetic History Studies

新时期以来,中国美学史研究既取得了一系列成果,同时也存在着诸多不足。这表现为美学观念与美学史著述的脱节甚至矛盾;具象描述淹没理论思辨,缺少足够的哲学深度;大规模的独立著述少、集体著述有机性不够等等。重写中国美学史,就应以创新的观念和路径努力克服这些不足。首先对曾经流行的"美是人的本质力量的对象化"的美学定义及当下流行的非本质主义美学观的缺失作出甄别和纠正,重新考量"美"、"美学"概念的义界,确认"美是普遍愉快的对象"的美学观;其次对"中国古代美学精神"作出独特的把握,指出它们是一个以味为美、以意为美、以道为美、以文为美构成的互补系统;在此基础上,清晰地分析和揭示出中国美学史的演变轨迹和时代特征。

A lot of achievements had being got in research of Chinese aesthetic history since new period, at the same time, some shortcomings had being taken place, which were contradiction between one＇s aesthetic idea and his account of aesthetic history, display of phenomenon papering over thinking of theory and lack of enough philosophical depth, defect of the individual book on big scale and short of logic in collective work. Consequently rebiuding Chinese aesthetic history should get rid of these shortcomings with new idea and method. Firstly the paper explores about beauty and aesthetics again and puts forward that beauty is something with widespread pleasure and interests. Secondly the paper puts forward the unusual idea about Chinese ancient aesthetic spirit that is a system constructed by regarding taste, heart, morality and essence, form as beauty. Moreover, the paper analyzes the history orbit and time features of Chinese aesthetic history.