“静”的同与异:儒释道思想对晚明小品的影响分析

Tranquility:Influence of Taoism on Late Ming Essays

小品文虽然兴盛在躁乱的晚明都市,但晚明文人对于生活、对于文学以追求闲适韵味为通则,尤其是对于内在的自娱闲适的追求,使晚明文人笔下的小品文噪中出静,世俗喧闹中不乏静默雅趣。同是静,儒家的冷静、佛家的禅静、道家的虚静各有其境界与风致,构成其坚实的美学内涵。

The essays of the late Ming appeared within a disordered city. Despite the disordered city life, the literati of the late Ming never gave up the pursuit of having the leisure of life and the taste of literature. Therefore there was no lack of tranquility in the essays though the tranquility was present to the disorder. Meditation within Buddhist schools, emptiness and peacefulness of Taoism, calmness of the Confucian School appeared in different features at the same time, showing different elegance and constituted a solid foundation of aesthetics.