论资华筠的舞蹈艺术观

Zi Huayun:Life of Art Nourished by Culture

在回顾新中国舞蹈发展和探索舞蹈表演真谛的过程中,新中国第一代舞蹈表演艺术家的代表人物:资华筠、赵青、陈爱莲等的贡献功不可没,本文的新中国舞蹈表演艺术家、理论家资华筠为个案在参照文献的同时,注重从口述历史的鲜活经验中探求其表演艺术的精华。在研究中,主要遵循资华筠先生提出的"以事述人"与"以人传舞"相结合的辩证舞史观,把"人"与"作品"有机地结合起来,观察、分析舞蹈现象。从其艺术生涯、表演风格、体验感悟、著作、言论中,归纳其个性化创造和共性规律,将舞蹈家一次次"转瞬即逝"的舞蹈表演,转化成以文字为载体的思想结晶,旨在向年轻一代传承她们的优秀品性和杰出贡献。

Reviewing the dance development since the founding of People＇s Republic of China in 1949 and the exploration of the truth of dance performance, the essay deals with some distinguished dancers representative of dancers of the f＇trst generation in China since 1949 based on face-to-face interviews, including Zi Huayun, Zhao Qing, Chen Ailian, etc. Referring to the literature, the essay focuses on the experiences fi＇om oral history to explore the essence of the performing art. In the research, the writer observes and analyzes dance phenomena combining ＂person＂ with ＂works＂, based on the dialectic historical outlook of dance proposed by Ms. Zi Huanyun that ＂depicting person through occurrence＂ is to be combined with ＂teaching dance through person＂. The essay summarizes individualized ways of creation and common laws fi＇om the artists＇ artistic career, performing styles, experiences, writings and remarks, thereby turning the fi＇equent ＂transitory＂ dance performances into writings with crystallized ideas to be inherited by the younger generation of dancers.