日常化情欲的指归--论早期新海派文本的题旨转换

The Themes Changing to the Daily Flesh in Early Shanghai Literature

早期新海派作家在借用原有叙事模式的同时,进行了别有意味的题旨转换。他们将"社会-反抗"题旨演化为与市民价值观一脉相承的"肉身-堕落"故事;从对高蹈理念的讨论回落到对两性日常困境的描写;为"娜拉出走"提供了迥异于新文学叙事的结局;在涉及"革命+恋爱"题材时,将故事的内质置换为革命背景下的两性游戏。变化后的题旨大都指向日常情欲。其间,媚俗的文化取向影响了文学的审美品位,却也在特定的意义上有助于开启不同于主流叙事的想象中国的途径,为后来的海派平民世界书写提供了经验。

The Shanghai writers took over the original narrative modes but changed the themes with special meaning in their literature works in the early period. There are several kinds as following： The theme of ＂Society- Rebellion＂ had been evolved as the story of ＂Flesh- Corruption＂ in the same line as the value of citizen. The discussion on the abstract theories had been changed to the description of regular troubles between the two genders. As for the subject matter of ＂Revolution - Love＂ stories, their contents had been replaced by the gender games under the background of revolutionary. Therefore, the themes almost had been directed to sexual passion. Although it decreased the aesthetic taste of the works, it was helpful to some degree to imagine China by non- mainstream narrative, and provided some experience for the later Shanghai writers to write the life of the civilian world.