摘要
当塞壬的"天籁"之声遭遇善于"计算"的奥德修斯之后,"整个西方音乐都遭受了劫难",这实际上是阿多诺以及整个批判理论的核心美学观点。阿多诺的音乐美学是其启蒙辩证法思想在音乐领域的具体运用。
It is the core of the aesthetic point of view that When the beautiful voice of siren encountered Odysseus, "the entire Western music have suffered a catastrophe".Adorno's aesthetic of music is the specific use of the Dialectics of Enlightenment in the field of music.
出处
《南京艺术学院学报(音乐与表演版)》
CSSCI
2009年第3期141-146,共6页
Journal of Nanjing Arts Institute:Music & Performance
关键词
启蒙辩证法
严肃音乐
流行音乐
阿多诺
Dialectics of Enlightenment
Serious Music
Popular Music
T.W.Adorno