从《茶馆》看老舍1950年以后的文学创作

LAO SHE'S LITERATURE PRODUCTION AFTER 1950S——AN ANALYSIS THROUGH TEA HOUSE

通过对《茶馆》剧本的剖析,论述了该剧的主题与老舍在1950年以后所创作的其他作品在思想上的一致性,分析了《茶馆》中所流露出来的老舍式的悲观气质,这种悲观写作基调在老舍1950年前的文学作品中极为常见,但在1950年以后却是罕见的。并指出:《茶馆》延续和发展了老舍自1937年以来对国家、民族这类宏大主题的关注,表现为他的文学观念和创作继续向左翼文学靠拢,并走向成熟;同时,《茶馆》也反映了老舍在1950年以后文学创作活动中的矛盾性,以及他对这一矛盾的反抗和突破。对现当代文学的研究具有一定的参考价值。

This paper,through an analysis of Tea House,explores the theme of this play and its consistency with those in Lao She's other works after 1950s.The pessimistic mentality reflected in Tea House was common in Lao She's works before 1950s but very rare after.The author then points out that Tea House,carrying forward Lao She's concerns about nation and people since 1937,demonstrates his maturation in literary concept and literature production,and his inclination for left wing literature.Besides,Tea House also demonstrates the contradiction in Lao She's literature production after 1950 and his fight against it.This paper,thereby,is hoped to cast light on modern and contemporary literature research in China.