中国陶瓷存在形式的划分与分析

THE DIVISIONS AND ANALYSIS OF THE EXISTENCE FORMS OF EXISTING CHINESE CERAMICS

中国现代陶瓷艺术,它从诞生之日起就深受西方各种艺术流派的影响,与彰显着中国美学根性的制瓷工艺相杂糅,使得国内学界无法为中国现代陶瓷的存在形式做出明确的界定和划分。本文以确切的史料为支撑,通过对基础概念的解释,以及具体的例证,对中国现代陶瓷的存在形式提出明确划分与界定,并对中国陶瓷艺术未来的发展方向提出建议。

it has been born, Chinese modern ceramic art, which is effected deeply by different western art studies since and it combined with Chinese traditional crafts that present the basic concepts of Chinese aesthetics. That our academic world could not divide and make a clear definition for the existence forms of Chinese modern ceramics. My views of the paper is supported by exact historical materials, through the explanations of some basic concepts, and specific examples to prove, that the existence forms of Chinese modern ceramics cloud be divided and defined clearly, and to provide some advices for the future development directions of Chinese ceramic art.