车尔尼雪夫斯基美学理论中的人本生态美

Humanistic and Ecological Beauty in Chernychevsky Aesthetics

车尔尼雪夫斯基虽不是马克思主义美学家,但由于其美学理论体现出的革命性色彩使其最终成为马克思主义文艺理论的一个组成部分。不仅如此,在车尔尼雪夫斯基美学理论中还充分显示着马克思主义人本生态美学的光芒。车尔尼雪夫斯基从审美活动的生态本原,诸如感应、信息、波等节律感应方面深刻论述了美与生命的紧密关联;从审美活动的生态功能方面,他又清晰地说明了人类生命的生态化生存,即"生"、"和"、"合"、"进"的丰富内涵,并确定了自己的美学理论思想核心:"美是生活","任何事物,凡是我们在那里面看得见依照我们的理解应当如此的生活,那就是美的","任何东西,凡是显示出生活或使我们想起生活的,那就是美的"等科学命题。

Although Chernyshevsky is not a Marxism aesthetician, his aesthetic theory becomes a constituent in the Marxism theory of literature and art because it manifests the revolutionary color. Chernysbevsky＇s aesthetic theory also demonstrates the human and ecological aesthetics ray of Marxism. From the aspect of the primitive ecological aesthetic activities, such as sensors, information and rhythm wave etc, Chernyshevsky describes profoundly the close relationship between beauty and life. From the aspect of ecological functions of aesthetic activities, he explains explicitly the ecological survival of human life, namely, the rich connotation of ＂Existence＂, ＂Harmony＂, ＂Cooperation＂ and ＂Progress＂, and determines his own ideological core of the aesthetic theory： ＂Beauty is life. ＂ ＂Anything in which people can see the life in accordance with their understandings is beauty; anything that can reminds people of life is beauty＂.