摘要
清末至民国以降,彩绘瓷器便进展到一个新的阶段,那就是这一时期的瓷器,盛行诗、书、画、印、落款、纪年集于一身的新的装饰风格。由于大多数画工文化有限,既写不出好字,更配不好题画诗,红店老板为了多赚钱,就不得不聘用写字先生代笔。本文探讨的,只是瓷画家仙槎为红店及弟子写瓷字的问题。
Since the late Qing dynasty to R.O,C, the workmanship on painted porcelain has already developed into a new stage.This is a period in China, when the adornment style is in fashion integrating pomes,calligraphy, painting, seal, inscribe and the way of counting years. Because most of the painters' s cultural level is limited, they could neither write a good word, nor add a pome into a group, In order to make more money, hong-dian' s owner had to hire replacers. Some questions will be investigated in this paper, which is about Xian-cha' s Writing on the porcelain for Hong-dian and his disciple.
出处
《陶瓷科学与艺术》
CAS
2009年第7期15-18,共4页
Ceramics Science & Art