摘要
中国诗歌传统中比兴思维的形成源于上古时期万物同构的求同性思维,它强调心物同构、情景交融;在诗歌创作中即表现为"索物以托情"、以"情附物"之比喻和"触物以起情"、以"物动情"之起兴,尤其成为从古至今合乐歌唱之歌词的重要表现手法,通过"曲说"而非"直陈"营造出或隐约含蓄、或活泼谐趣的审美愉悦。
The formation of the thought of Bixing(metaphor and analogy)in the tradition of Chinese poetry writing originates from the convergence thought in ancient period that everything on earth is isomorphic.It emphasizes the mind-matter isomorphism and the blending of scenarios.It is shown in the creation of poetry as 'objects for emotion','emotion attached to objects' and 'objects arousing emotion','objects making emotion'.Bixing has especially become an important expressing method applied to the lyrics in ancient times and today.It creates a vague and concealed,or active and interesting aesthetic pleasure through the 'indirect writing' rather than 'direct writing'.
出处
《广东技术师范学院学报》
2009年第5期71-75,共5页
Journal of Guangdong Polytechnic Normal University
关键词
歌词
比兴
联想
通篇比兴
poetry
Bixing(metaphor and analogy)
association
Bixing in whole article