摘要
"十七年"儿童电影的主流是负载着政治理想教育的故事片,但其间也陆续出现了一些大异其趣的童话片和喜剧片。这类处于政治叙事边缘的儿童影片,注意挖掘幻想性和娱乐性因素,较为本色地反映了儿童的生活气息与心性,开创了一个贴近儿童电影本体的新气象,丰富了新中国儿童电影的思想情趣和艺术形式。但它们也不可避免地带有时代性的缺憾,教育旨意的灌注使其难以真正轻松、自由地飞翔,这也成为现今同类儿童电影难以完全摆脱的痼疾。
The mainstream of children' s films in "the Seventeen Years" embraces political education There are also some fairytale films and comedy in this period. At the edge of political narration, these films pay attention to the fantasy and entertainment factors, reflecting children' s real life and disposition. They are more close to the noumenon of children's films and enrich the ideological appeal and artistic forms of Chinese children' s films. However, they inevitably have the deficiency of the times. With the aim of education, they can' t be truly free and relaxed, which is the problem of today' s children' s films.
出处
《浙江艺术职业学院学报》
CSSCI
2009年第3期64-68,共5页
Journal of Zhejiang Vocational Academy of Art
基金
全国艺术"十五"规划课题青年基金项目<中国儿童电影发展史>(项目编号:05CC073)
关键词
儿童电影
幻想
娱乐
“红色”话语
教育负载
children' s films
fantasy
entertainment
"red" discourse
burden of education