摘要
中国先锋艺术的颠覆性很强,它们颠覆一些传统的观念,颠覆艺术与自然之间的差异观、历史唯物主义和消费唯物主义不能融合的对立观等。中国先锋艺术还擅长用"可商标性"的创作策略,以简洁、易辨识的类似形象不断地重复,提高艺术形象的可识别性,来推广和宣传自己的作品。先锋艺术家们还通过反讽的策略,展现不同社会空间的过快融合所带来的矛盾效果,记录那些抽离了语义内容的语言危机,以反讽和掏空"语言和话语意义"的艺术形式,让人们重新思考语言的存在价值。
Chinese artists always take subversion as their strategies to create workings. They subvert the traditional concept of art and nature and subvert the concept of compromising historical materialism and consumption materialism. Chinese avant - guarde art is also good at using "what can be trademarked" as the creative strategy. The similar image is simple and easy to identify. By constant repetition, the image is useful for enhancing the artists'reputation and publicizing their works. Pioneer artists also adopted irony as strategy to show the conflicting results brought about by the rapid integration of different social space, to record the crisis of language whose semantic contents is made empty, and to irony and hollow out "the meaning of language and discourse". All these let people rethink the value of language.
出处
《湖南工业大学学报(社会科学版)》
2009年第4期138-141,共4页
Journal of Hunan University of Technology(Social Science Edition)
关键词
先锋艺术
先锋策略
颠覆性
可商标性
反讽性
avant-guard art
avant-guard strategy
subversion
trademarks
Irony