郑正秋、张石川二元互补性与中国早期电影

The Mutual Complementarity Duality of Zheng zhengqiu/Zhang shichuan and the Forepart Chinese Films

郑正秋和张石川作为中国早期电影发展的代表性人物,在1913年联合拍摄了具有广泛影响的《难夫难妻》后各奔东西。在1922年,他们再度携手合作后才又拍摄出了产生广泛影响的电影。在这种"和则共生,分则俱损"的现象背后,隐含的是郑正秋和张石川二元互补性特征对中国电影发展道路的校正,正是因了他们对电影属性的不同凸显和追求,使其电影观处于二元并存的统一体之中,形成了二元对立并互补的特点,从而使其拍摄的电影在思想艺术性和商业性之间获得了平衡,推动了中国早期电影的发展。

Zheng zhengqiu and Zhang shichuan are the representative of the forpart Chinese films. They separated ofter they directed together the film tragic couple which had the abroad influences in 1913. They worked together again and directed the films which had the abroad influences in 1922. The phenomenon of existing if work together and scathing if separate means that the character of the mutualcomplementarity duality revise the way of the Chinese films＇ development. Their films have the balance between the thinking and the art and form the character of mutual complementarity but opposed duality because they protrude and pursue differently . It also promote the development level of Chinese films.