论《狮子王》、《王的男人》、《夜宴》对《哈姆莱特》的改写——以对哈姆莱特“俄狄浦斯情结”的改写为中心

On the Re-writing of Hamlet in The Lion King,The King and the Clown and The Banquet──with the re-writing of Hamlet's "Oedipus complex" as core

当代三部影视作品《狮子王》、《王的男人》和《夜宴》是基于弗洛伊德学说对《哈姆莱特》进行的改写,它们由弗洛伊德对哈姆莱特"俄狄浦斯情结"的精神分析式阐释生发而成,旁证了弗洛伊德观点的影响力,并为我们重新考量弗洛伊德的哈姆莱特阐释提供了新的启示和机会。

The Lion King, The King and the Clown and The Banquet are all kind of re - writing of Hamlet. Evolved from Freud＇ s psychoanalytic study of the Oedipus complex of Hamlet, these three contemporary films give circumstantial evidence of the influence of Freud, and provide us with new inspiration and opportunity to reevaluate Freud＇ s interpretation of Hamlet.