摘要
20世纪后期先锋诗经历了由诗意的先锋到诗艺的先锋,再转向诗意的先锋三大历程,并由1980年代的全国性的群体冲锋变成了地域性单兵突击,大学校园不再是先锋诗的实验园地。社会上的先锋诗人迫于生存压力不得不向现实生活妥协,平民写作取代英雄写作,人性写作取代神性写作。女诗人由女性诗人变化女人诗人,迷恋真实人生。先锋诗人的生命意识与生活情怀常常多于文体意识和审美情趣,平民化实用性诗歌远远多于贵族化审美性诗歌。先锋诗的世俗化导致了诗人写作的个人化。重视现实生存甚至急功近利的先锋诗写作虽然有损新诗,却适合当时的特殊国情。尽管当前个人化写作仍有存在价值,但不能极端地倡导个人化写作,因为诗坛既需要诗艺的先锋,也需要诗意的先锋。
In the late years of the 20th century, avant - courier poetry has experienced three stages : from poetic meaning to poetic art and thence to poetic meaning. And campus is not the place where avant - courier poetry is no longer produced. Poets from avant - courier poetry have to go into reality because of living pressure. Female poets have become women poets, fascinated with real life. The life consciousness and life passion are more than style consciousness and taste. This change leads to individualized writing. Avant - courier poetry that values living conditions and quicker success and instant benefit has done some harm to new poems, but accords with the living situation of China. Now we need both avant - courier poetry with poetic meaning and poetic art.
出处
《河北学刊》
CSSCI
北大核心
2009年第5期111-116,共6页
Hebei Academic Journal
关键词
先锋诗
生存境遇
诗歌生态
平民诗歌
个人化写作
avant - courier poetry
living situation
poetic state
popular poetry
individualized writing