摘要
阐明了元代包公戏具有模式化、类型化特色。模式化表现为贪淫破家、贪财破家和豪强欺压百姓模式,类型化则体现为儿女夫妻中丈夫形象与妻子形象具有趋同性、半路夫妻中丈夫形象与妻子形象的具有趋同性和恶人形象塑造具有趋同性。并从元代戏曲产生发展的思想土壤和其文学样式自身的特点两个方面探究了元代包公戏剧本模式化的主要原因。
Baogong Drama of the Yuan Dynasty plays a model, type and characteristics. Mode of performance is Greed for Obscenity and money and that nobility oppress the people. Marriage of the type of husband and wife for their children in the image of the husband and wife with the convergence of image. Remarriage image of the couple husband and wife in the image of a convergence of image. Image- building is the wicked convergence. From the main reason for the development of the Yuan Dynasty opera produced the idea of soil and its own literary style Famian explore the characteristics of the two.
出处
《喀什师范学院学报》
2009年第4期62-66,共5页
Journal of Kashgar Teachers College