摘要
莫言是狂放不羁的小说家,但是,其散文世界却相对规范。莫言的散文是五四以来的那种乡土抒情散文,以故乡、童年的乡土生活为主要表现对象,带有一定的自传性。和小说相比,莫言散文固然也书写童年的苦难,然而,更主要的却是对故乡的眷恋,对亲情的归依,对童年欢乐的回味:本色、质朴、真挚。莫言的幽默小品是狂放性幽默,犀利而风趣,这是他的小说精神的外射。
As an unrestrained novelist as MO Yan is,his prose is somehow within the normal frame of lyrical style with local flavor since the May 4th Movement. It's autobiographical focusing on his childhood at hometown. As is the same with his novel as to wirte misery of his childhood,MO Yan pays more attention to the following themes:homesickness,family love,boyhood happiness. The sytle is natural,plain and authentic.MO Yan's humourous essay is as unrestrained,sharp and sarcastic as his novel.
出处
《吉林大学社会科学学报》
CSSCI
北大核心
2009年第4期87-93,共7页
Jilin University Journal Social Sciences Edition
关键词
莫言
莫言散文
故乡情结
反讽
MO Yan
MO Yan's Prose
Homesickness
Parody