摘要
本文取康德"审美观念"这一美学核心范畴的角度,对其"知性"、"感性"、"理性"认识范畴的三层次,作出了宏观有机动态的理论把握;并从音乐实践的层面切入,揭示出音乐音响通过知觉而感受,通过感情而抒发,通过逻辑而发展,并能够表达人类对音乐艺术极其深刻的哲理之思。
Starting with the aesthetic kernel of Kant, the author, on the one hand, makes a discussion on his intellectual ,perceptual and rational knowledge, on the other hand, she also reveals the acoustics can be not only felt through perception, be expressed through affection and be developed through logic , but also can give express to human's profound philosophy to music.
出处
《音乐探索》
CSSCI
2009年第3期39-42,共4页
Explorations in Music
关键词
康德
《判断力批判》
音乐审美观念
Kant
the Critique of Judgment
aesthetic idea of music