摘要
现象学美学是20世纪最重要的美学学派之一.从现象学美学的基本原理及其思想渊源入手,可以对声乐表演诠释的多种可能性,以及声乐表演与忠于原作的关系问题作研究。
Phenomenological aesthetics is one of the most important aesthetics schools in 20th century, its repre- sentative was the philosopher and aesthetician, Roman Ingarden. Start- ing with the fundamental principle of phenomenological aesthetics, the author makes a study on the rela- tionship between vocal music perfor- mance and music original.
出处
《音乐探索》
CSSCI
2009年第3期79-81,共3页
Explorations in Music
关键词
现象学
同一性
意向性对象
演奏诠释
phenomenology
identity
intentionali- ty object
Interpretation on performance