花间词人群落说

本文从文化生态学角度将花间十八家词人划分为三个群落:对各个群落词作的总体特征及其成因进行了剖析,特别论述了各群落在花间词中的地位以及其间的风格传承和变异。认为曲子词不适合在像五代中原这样相对阳刚恶劣的文化生境中生存,而最适宜在像蜀地这样阴柔富优的文化生境中成长。但高质量的作品则需要至少两种以上性质不同的文化生境的碰撞、交合。因此,在花间词中第一群落在风格上对后来的两个起决定性影响,第二群落则是花间词成就的顶峰,第三群落开始走向没落但也变异出新作风等待后来者光大。

From the perspective of cultural ecology, this paper indicated that eighteen Huajian poets were divided into three communities. And also, it analyses overall characteristics of various communities, especially the status, as well as the transmission and variation of style. Quzi Ci is not suitable for the Five Dynasties and the Central Plains, but it is quite appropriate in gentle culture - rich habitats such as Siehuan. However, it takes at least two or more different types of habitats and cultural collisions ,conjoint to create high - quality work. As a result, Huajian Poetry Collection in the first community plays a decisive impact on style of the later two. The second community is to reach the peak of inter - term success ; the third community is declining and also stands in the beginning of a new poetry.