摘要
李长之是中国现代文学批评史上一位著名的京派批评家,他在文艺批评上倡导"感情的批评主义",并以"感情的型"作为衡量文艺作品艺术价值高低的标尺。他在文艺批评实践中以"感情的型"为标准,从人格与文格互释的角度解读鲁迅,超越了同时代人对鲁迅的评论。他从内容与形式糅合的角度解读中国绘画,从而证明了"感情的型"是一个具有深厚理论阐释力和普适性的艺术批评标准。
Li Chang-zhi,who was a famous critic belonging to Beijing School in the history of Chinese modern literary criticism, promoted"the criticism of emotion", and set up the"type of emotion"as the criterion of judging the values of the literary texts. On this basis, he read Lu Xun from the perspective of mutual interpretation of the personality of human and literature, and this surpassed the criticism to Lu Xun from contemporaries.He read Chinese painting from the perspective of both the content and the form involved, thereby proving that the"type of emotion"is a standard of art criticism,which has a deep theoretical importance and wide practical application.
出处
《渤海大学学报(哲学社会科学版)》
2009年第5期59-62,共4页
Journal of Bohai University:Philosophy & Social Science Edition
关键词
李长之
文艺批评
感情的型
Li Chang-zhi ,literary criticism, type of emotion