从尼采的悲剧世界观看李煜的审美人生

Nietzsche’s tragedy world outlook and Liyu’s aesthetic life

李煜词中显示出来的非理性色彩从某种程度上背离了中国传统的美学观念。尼采的悲剧世界观所认为的日神精神和酒神精神分别代表的两种人生态度:前者用美的幻觉掩盖人生的悲剧,执着人生;后者不回避人生的痛苦,直视人生的悲剧。用这种美学观来看李煜的人生再合适不过了。

The irrational flavour Liyu＇s Ci demonstrated deviates from Chinese traditional aesthetic concept to some extent. Phoebus spirit and Bacchus spirit in Nietzsche＇s tragedy world outlook represent two kinds of life attitudes respectively： the former uses aesthetic illusion to cover human tragedy to stick to life, the latter does not avoid human anguish but strongly face human tragedy. It cannot be too appropriate to study Liyu＇s human life with this aesthetic concept.